5 Tips for Making Money at Art Festivals

Do you, audience who seeks authentic self-expression, want to know how I’m making money at art festivals? Here are my lessons learned as I begin to sell my art professionally and construct a long-term business structure…

Read more: 5 Tips for Making Money at Art Festivals

THANK YOU:

Oden Brewing and Chee Chee, Royal Jelly and Bob, Hornfeldt Photography and With A Twist Media, Screen Print U and Mark, Merch Connect Studios and Emily, Reconsidered Goods and Catena, and of course, my partner Pete, my family, and my friends!

How am I making money?

Here’s the truth: I’m not… YET! Or maybe ever, at least on these festivals, but that is not why I participate in them. Does it bother me that I’m not making a profit off of them yet? Sometimes. Do I let it get to me? Sometimes. But my loving and supportive partner gave me some unparalleled wisdom when I was having an emotional breakdown in the week leading up to the festival:

Lessons Learned

This section is all a big talk, because if you know me, you know I don’t listen to my own advice. But here they are anyway:

1. Work on these designs throughout the year.

… Rather than in the two months leading up to the festival. Doing this will space out the work time – not just the drawing and digitizing, but also the blog-writing and uploading to YouTube/Redbubble. This is difficult to accomplish, period, because I’m doing so many other things throughout the year, including other artistic freelance work!

2. Pay for hands-on help the way you pay for camera services.

… So that you don’t end up stuck at your own booth the majority of the time. Part of the point is to check out the other vendors, you know? I guess I took for granted that at the Fall Equinox Festival of 2022, I happened to have friends around throughout a hefty chunk of the day to kind of keep an eye out for customers. I got to hang out more. So, thank you Mariah and Conner and a few others! On the other hand, though, the Spring fest was a much bigger affair.

4. Enjoy yourself and be in the moment.

… Obvious, right? Not for Andrea Beatrice Santolim Geller. ‘Cause she’s an anxious wreck most of the time, so she’s overthinking her business decisions, the quality of her products, and whether or not she’s “performing” well enough to make it all worth it. My impostor syndrome tells me: unless you’re succeeding with a 200% profit margin, you’re a failure.

5. Be genuine, honest, transparent, authentic, BE YOURSELF.

… This may be the toughest one to do. As my Social Media Addiction blog suggests, can we ever truly be our authentic selves in a society with constantly proliferating media influence? It takes a lot of emotional fortitude, spiritual labor, self-confidence and trust, and most importantly patience to begin developing who we truly are. Are YOU “doing the work”?

Links to Frog Blog and Worm Moon Blog!

Benefiting, not Profiting

I am still benefitting no matter how much money or work hours I spend or make because life isn’t about money. Life is about experiences! And this festival was so empowering in what I was able to accomplish for it and at it virtually on my own. Without further ado, however, here’s all I have to tell you about The Money™:

Money Money Money

These were my main expenses at this festival:

  • $15 – business cards
  • $40 – all of my prints
  • $150 – the moon worm t-shirts
  • $40 – packaging
  • $50 – signage
  • $295 – TOTAL

This particular festival, I also hired a videographer and paid for some drone footage, which cost me less than $200 combined, but only because of friendship discounts!

This means that I am not including the following items or products simply because I owned them previously and did not have to invest in them at this time:

  • $50 – Walmart tent; these can be more than $100. I got the cheapest one I could find for the Summer Solstice Festival 2021, which means (Pete and) I put extra effort in to make it last – we don’t let it sit out, are careful while folding it up, don’t let rain accumulate on top, etc.
  • $50 – foldable tables; I borrowed one from a friend, too.
  • $50 – display stands; Pete built mine using scrap wood. Buying something similar I’d guess is about fifty bucks.
  • $20/each – GSOVIBES t-shirts; I already owned these from when my former business partner and I had ordered them under our LLC.

Overall, I made about $300 in sales at the actual festival, meaning I broke even with the expenses to make the products I sold, but still spent more money on the photos and film footage. I also charged Oden a very small service fee for the frog design and for helping with the logistics of getting the t-shirts made, and used that money to purchase hoodies for myself, Bob, and Chee Chee. So, net zero.

Now let’s talk about the hours spent workin’!

All photos taken by Brian Hornfeldt, as per usual! 🙂

Labor Labor Labor

  • 10+ hours on the Worm design from sketch to final digital versions
  • 15+ hours on the Spring Peeper design from sketch to final digital version, to sticker
  • 10+ hours on the Pete and Mango comic, including the Princess Mango sticker
  • 4+ hours on my business cards design
  • 5+ hours trying to figure out the best file format for the prints and passing by Allstar Printing at least three times
  • 8+ hours hand cutting the stickers (this does not include hand cutting the prints from last time)
  • 8+ hours hand cutting the cardboard that went inside each t-shirt bundle
  • 6+ hours hand packaging all the t-shirts
  • ~ 60 TOTAL HOURS just on the production of the products themselves! Planning, coordinating, other details not included.

If I were being paid $7.50/hour for this labor, not including tax, I’d have made $450! 🙂

This is not to mention the 18 hours spent day-of actually doing the festival (8 AM to 2 AM from leaving the house to getting home)!

You may also be wondering: how did you fit 60 hours of work in two months while also working approximately 50-55 hours a week, maintaining a semi-regular workout schedule, eating right and spending time with friends and family?

The answer is partly that I have an awesome boyfriend and general support system. The last two weeks leading up to the festival I didn’t go to the gym at all, and in the last week I was completely sedentary. Pete does most of the cooking already but in those crunch hours he was bringing me meals mid-packaging, mid-sticker-cutting, and forcing me to sit down and eat. And, I would bring stickers to the School Bus driving job and snip snip during layovers and while the kids loaded up in the afternoons.

Why so open about money?

Why not? I hope YOU, other vendors and artists, who are trying to monetize your work see that just because my booth is a spectacle, doesn’t mean I’m “making it” any more than you are. I hope you see the value beyond the dollar signs. I hope you can learn from my mistakes. I hope you get ideas on how to strategize your own businesses.

I hope you value my honesty.

3 thoughts on “5 Tips for Making Money at Art Festivals

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  1. ‘This section is all a big talk, because if you know me, you know I don’t listen to my own advice. ’. HIT ME HARD.

    I value your honesty:)

    Like

    1. You got it! Word of advice though… you’ll need to be meaner, and more anonymous.

      Like

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